If images can be shared and circulated, why can’t everything else be too? If data moves across screens, so can its material incarnations move across shop windows and other enclosures. If copyright can be dodged and called into question, why can’t private property? If one can share a restaurant dish JPEG on Facebook, why not the real meal? Why not apply fair use to space, parks, and swimming pools? Why only claim open access to JSTOR and not MIT—or any school, hospital, or university for that matter? Why shouldn’t data clouds discharge as storming supermarkets? Why not open-source water, energy, and Dom Pérignon champagne? If circulationism is to mean anything, it has to move into the world of offline distribution, of 3D dissemination of resources, of music, land, and inspiration. Why not slowly withdraw from an undead internet to build a few others next to it?
Steyerl, Hito. Circulationism. Edited by MUAC, Museo Universitario Arte Contemporáneo. México, D.F.: Universidad Nacional Autónoma de México, 2014.