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Hito Steyerl: Too Much World: Is the Internet Dead?, 2013





















David Joselit: Painting Beside Itself, 2009








Boris Groys: Multiple Authorship, 2005





Jorge Luis Borges: Pierre Menard, Author of the Quixote, 1939

























Nicolas Bourriaud: Postproduction, 2002











Judith Butler: Excitable Speech, 1997






Artie Vierkant: The Image Object Post-Internet, 2010











McKenzie Wark: Digital Provenance and the Artwork as Derivative, 2016


Rosalind Krauss: “A Voyage on the North Sea.” Art in the Age of the Post-Medium Condition, 1999
























Alessandro Ludovico: Post-Digital Print. The Mutation of Publishing Since 1894, 2012


Stephen Wright: Toward a Lexicon of Usership, 2013


Jaques Derrida: Signature Event Context, 1972














Kim Cascone: The Aesthetics of Failure, 2000









Marcus Boon: In Praise of Copying, 2010




Jean-François Lyotard: The Postmodern Condition. A Report on Knowledge, 1979


Debora J. Halbert: The State of Copyright. The Complex Relationship of Cultural Creation in a Globalized World, 2014.



Daniel Rubinstein, Katrina Sluis: A Life More Photographic. Mapping the Networked Image, 2008



Giorgio Agamben: What is an Apparatus? And Other Essays, 2009


















John L. Austin: How To Do Things With Words, 1955

Peter Suber: Open Access, 2012














































Umberto Eco: The Open Work, 1962







Hui Yuk and Andreas Broeckmann: 30 Years after Les Immatériaux: Art, Science, and Theory, 2015


David Joselit: After Art, 2013





































































Hito Steyerl: Circulationism, 2014
















Eduardo Navas: Remix Theory, 2012


Rosalind Krauss: “Informe” Without Conclusion, 1996









Marshall McLuhan: The Gutenberg Galaxy. The Making of Typographic Man, 1962









David Joselit: What to Do with Pictures, 2011
Kenneth Goldsmith: Why Conceptual Writing? Why Now? 2011








Hillel Schwartz: The Culture of the Copy, 1996/2014


Michalis Pichler: Statements on Appropriation, 2015









Peter Weibel: The Post-Medial Condition, 2005

Jacques Derrida: Signature Event Context, 1972







Roland Barthes: The Death of the Author, 1968


















Gene McHugh: Post Internet, 2011







Michael Sanchez: Contemporary Art, Daily, 2011



Roland Barthes: From Work to Text, 1971




































Susan Blackmore: The Meme Machine, 1999
Catherine Liu: Copying Machines. Taking Notes for the Automaton, 2000




Bruno Latour (and Adam Lowe): The Migration of the Aura – or How to Explore the Original Through Its Facsimiles, 2011








Jan Verwoert: Living with Ghosts, 2007

Michael A. Noll: The Digital Computer as a Creative Medium, 1967
Marisa Olson: Lost Not Found. The Circulation of Images in Digital Visual Culture, 2008
Rosalind E. Krauss, Yve-Alain Bois: Formless. A User’s Guide, 1997







Stewart Home: Neoism. Plagiarism & Praxis, 1995









Boris Groys: Towards the New Realism, 2016








Walter Benjamin: The Task of the Translator, 1923


Claire Bishop: Artificial Hells: Participatory Art and the Politics of Spectatorship, 2012
Juliane Rebentisch: The Contemporaneity of Contemporary Art, 2015









Raqs Media Collective: A Concise Lexicon Of / For the Digital Commons, 2003







Laura U. Marks: How Electrons Remember, 1999




Anna Nimus: Copyright, Copyleft and the Creative Anti-Commons, 2006
















Jean Baudrillard: Simulacra and Simulation, 1981








































Brad Troemel: Peer Pressure, 2011


















































Lawrence Lessig: Code, 2006



